My friend, John Farkas, invited me to join a small book discussion group that’s going through The Gift: Creativity and the Artist in the New World, by Lewis Hyde. The book is about the value of creativity among a culture built on consumption and commodities.
Hyde lays out a case that has got me thinking more about the tension artists feel every day, especially those who want to make a living through their craft. I’m a man who lives in the two economies, creative and commerce, that is publishing so I’m always asking questions like Which is it? Commodity or art? Is it both? Can it be both? Do any real artists do both well?
Someone stop my head from spinning, please.
Occasionally, I catch a glimpse of the answer and run across an artist who seems to have figured out how to live in the thin space between the two economies like some sort of creative squatter. And I find them in the most unlikely places. Places like June Taylor’s kitchen. What can a jam maker teach me about doing what I love and surviving without compromising? Apparently, a lot.